Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.

Women’s Studies Professors Have Class Privilege / I’m With Problematic, from the series Creep Lez, Allyson Mitchell, 2012
Altered t-shirts with iron-on transfer and vinyl letters. Courtesy of the artist and Katharine Mulherin Gallery, Toronto.

Alien She exhibition at Vox Populi, Philadelphia: The Counterfeit Crochet Project (Critique of a Political Economy) (2006-ongoing); Yarn, downloadable PDF instructional guide for creating knockoff logos. By Stephanie Syjuco and courtesy of the artist and Catharine Clark Gallery, San Francisco. Images courtesy of Vox Populi

Alien She exhibition at Vox Populi, Philadelphia: The Counterfeit Crochet Project (Critique of a Political Economy) (2006-ongoing); Yarn, downloadable PDF instructional guide for creating knockoff logos. By Stephanie Syjuco and courtesy of the artist and Catharine Clark Gallery, San Francisco. Images courtesy of Vox Populi

dwnldInstallation shot: Foreground: Joanie 4 Jackie (1995-2003); VHS masters, tapes and DVDs from the Chainletter Series with accompanying booklets of letters written by each filmmaker to other women on their compilation, VHS tapes from the Co-Star Series with accompanying posters, personal correspondence from July’s collection; Courtesy of the artists and Bard College, Annandale-on-Hudson. Background: Videos (1996-2001) by July; Single-channel video with sound, 57:30 minutes; Courtesy of the artist and Video Data Bank, Chicago. Learning To Love You More (2002-2009) by Miranda July and Harrell Fletcher, with website by Yuri Ono; Exhibition prints from web project and archive; Courtesy of the San Francisco Museum of Modern Art.

dwnldInstallation shot: Foreground: Joanie 4 Jackie (1995-2003); VHS masters, tapes and DVDs from the Chainletter Series with accompanying booklets of letters written by each filmmaker to other women on their compilation, VHS tapes from the Co-Star Series with accompanying posters, personal correspondence from July’s collection; Courtesy of the artists and Bard College, Annandale-on-Hudson. Background: Videos (1996-2001) by July; Single-channel video with sound, 57:30 minutes; Courtesy of the artist and Video Data Bank, Chicago. Learning To Love You More (2002-2009) by Miranda July and Harrell Fletcher, with website by Yuri Ono; Exhibition prints from web project and archive; Courtesy of the San Francisco Museum of Modern Art.

Installation shot: Foreground: Ladies Sasquatch (2006-2010); Found textiles, taxidermy supplies, appliqué borg, styrofoam, wood. Recommended Reading (2010); Wallpaper of photocopied drawings. Both by Allyson Mitchell and courtesy of the artist and Katharine Mulherin Gallery, Toronto.

Installation shot: Foreground: Ladies Sasquatch (2006-2010); Found textiles, taxidermy supplies, appliqué borg, styrofoam, wood. Recommended Reading (2010); Wallpaper of photocopied drawings. Both by Allyson Mitchell and courtesy of the artist and Katharine Mulherin Gallery, Toronto.

Installation shot: Foreground: We Couldn’t Get In. We Couldn’t Get Out. (2006-2007); Crank-knit yarn, hand-woven wire, steel poles. Midground: Gay Bashers Come And Get It (2011); Jacquard-woven cotton and lurex, hand-dyed fabric, crank-knit yarn, thread. Graphic appropriated from a poster designed by Matt Height, silkscreened at Queeruption (1999) at DUMBA, Brooklyn, and used as an album insert for queercore band Limp Wrist. Both by L.J. Roberts and courtesy of the artist.

Installation shot: Foreground: We Couldn’t Get In. We Couldn’t Get Out. (2006-2007); Crank-knit yarn, hand-woven wire, steel poles. Midground: Gay Bashers Come And Get It (2011); Jacquard-woven cotton and lurex, hand-dyed fabric, crank-knit yarn, thread. Graphic appropriated from a poster designed by Matt Height, silkscreened at Queeruption (1999) at DUMBA, Brooklyn, and used as an album insert for queercore band Limp Wrist. Both by L.J. Roberts and courtesy of the artist.

Installation shot: FREE TEXTS (2011-2012, updated 2013); Free downloadable PDF files of texts found online and tear-off tab flyers. By Stephanie Syjuco and courtesy of the artist and Catharine Clark Gallery, San Francisco. This project was updated for Alien She, and includes texts selected by the artists in the exhibition.

Installation shot: FREE TEXTS (2011-2012, updated 2013); Free downloadable PDF files of texts found online and tear-off tab flyers. By Stephanie Syjuco and courtesy of the artist and Catharine Clark Gallery, San Francisco. This project was updated for Alien She, and includes texts selected by the artists in the exhibition.

Installation shot: Foreground: Feminist Body Pillow (2013); Hand printed t-shirts, jeans (tote bag made in a screenprinting workshop led by the artist at Fabulous Independent Educated Radicals for Community Empowerment (FIERCE); Julius Bootleg t-shirt and Live And Let Lez tank top by the artist; t-shirt (rainbow fist) by Dean Daderko;
A Wave of New Rage Thinking t-shirt by LTTR; The Advantages of Being a Lesbian Artist t-shirt by Ridykeulous; Gay Power sweatshirt by Emily Roysdon). By Ginger Brooks Takahashi and courtesy of the artist.

Installation shot: Foreground: Feminist Body Pillow (2013); Hand printed t-shirts, jeans (tote bag made in a screenprinting workshop led by the artist at Fabulous Independent Educated Radicals for Community Empowerment (FIERCE); Julius Bootleg t-shirt and Live And Let Lez tank top by the artist; t-shirt (rainbow fist) by Dean Daderko;
A Wave of New Rage Thinking t-shirt by LTTR; The Advantages of Being a Lesbian Artist t-shirt by Ridykeulous; Gay Power sweatshirt by Emily Roysdon). By Ginger Brooks Takahashi and courtesy of the artist.

Installation shot: A sampling of zines and distribution catalogues (1991-2013) primarily from the original Riot Grrrl movement. The zines cover a range of topics such as sexism, empowerment, fat activism, mental illness, gender identity, violence, racism, homophobia and sex work.

Installation shot: A sampling of zines and distribution catalogues (1991-2013) primarily from the original Riot Grrrl movement. The zines cover a range of topics such as sexism, empowerment, fat activism, mental illness, gender identity, violence, racism, homophobia and sex work.

Installation shot: Posters (c. 1991-present) from Riot Grrrl related shows, conventions and meetings internationally, solicited from institutional and personal archives through open calls, word-of-mouth and invitations.

Installation shot: Posters (c. 1991-present) from Riot Grrrl related shows, conventions and meetings internationally, solicited from institutional and personal archives through open calls, word-of-mouth and invitations.

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